Showing posts with label Bognor Regis. Show all posts
Showing posts with label Bognor Regis. Show all posts

Monday, 13 January 2014

The Earwicker Graves in Sidlesham


The main character in Finnegans Wake goes by many names, usually with the initials HCE (Howth Castle and Environs, Here Comes Everybody, Haveth Childers Everywhere, Haroun Childeric Eggeberth, He'll Cheat E'erawan, human erring and condonable, Handiman the Chomp, Esquoro etc). But his primary name is Earwicker. 




Chapter two begins with a discussion of how he came by this unusual surname.

Now...concerning the genesis of Harold or Humphrey Chimpden’s occupational agnomen...and discarding once for all those theories from older sources which would link him back with such pivotal ancestors as the Glues, the Gravys, the Northeasts, the Ankers and the Earwickers of Sidlesham in the Hundred of Manhood...

Sidlesham, pronounced Sid-lesham, is a village in Sussex. It lies south of Chichester, in the Manhood Peninsula, also called the 'Hundred of Manhood' (A 'hundred' is an ancient administrative district).  The name probably comes from the Anglo-Saxon maene-wudu meaning 'men's wood' or 'common wood.'  Joyce would have discovered Sidlesham, and the name Earwicker, when he was on holiday in neighbouring Bognor Regis, in the summer of 1923. 


In 1961, Clive Hart visited Sidlesham and found several tombstones in the churchyard with the name 'Earwicker' on them. After making enquiries, he learned that there were still three elderly Earwickers living locally. He quotes this touching letter from Miss Gertrude Earwicker:

William Earwicker is the first one that we have known of coming to live in Sidlesham, some time in the 17 century, he died here in 1793, as a headstone in the Churchyard shows. His sons were William, John, & George, John being our grandfather, he passed on before we were born, so we did not know him. Our father Charles William used to tell us of their school days etc, he died in 1922. Our grandfather (John) bought a small farm, and built a house in 1858 Redgate Farm, the one that we sold in September, our father, and us were all born there, I had no other home, but as we are getting to our seventies, we could not carry on, and our brother Arthur has no children to carry on either. Our great uncle had a little school for the boys of Sidlesham at his cottage, he had been in the Army, in the 52nd Foot Regiment, educated himself in his travels, I believe taught them quite well in reading, writing, and arithematic, there was not a school here then, afterwards they walked daily to Chichester, (five miles) to finish their education, our father, and his brother Thomas, and John were among the boys. Our grandfather (John) used to sound the note on the pipe for the singing in the Church, (no organ) We were told that he was accidentally shut in the Church one night, he had gone into the belfry to look for an owl that was lodging there. Not knowing how to get out he rang the bells furiously, which soon brought someone to his rescue ... Earwickers now in Sidlesham, are myself Gertrude my sister Nellie Law, (widow) and my brother Arthur Earwicker.

quoted by Clive Hart, 'The Earwickers of Sidlesham' A Wake Digest, 1968 

Hart suggested that Joyce had found the name Earwicker when visiting the churchyard. However, Peter Timmerman later discovered that Joyce had used a written source, A Pictorial and Descriptive Guide to Bognor, 1923, which has this sentence:

Sidlesham Church is an Early English structure worthy of notice, and an examination of the surrounding tombstones should not be omitted if any interest is felt in deciphering curious names, striking examples being Earwicker, Glue, Gravy, Boniface, Anker, and Northeast.
                'The First Guide to Finnegans Wake', A Wake Newslitter,  June 1979

By chance, my sister Sarah and her husband Ben have just bought a coastguard's cottage in Selsey, which is only a short distance from Sidlesham. Going to visit for the first time this Saturday, Lisa and I arranged to meet them in the churchyard, to look for Earwickers, Glues, Gravys, Ankers and Northeasts.


We got the bus from Chichester to Sidlesham, a picture postcard village, of thatched white-painted flint and pebble houses.

This is Church Lane, which led us to the Church of St Mary, where the Earwickers are buried.





 Here's the church, which is mostly thirteenth century.




























Lisa and I got to the Church first, and started inspecting the gravestones. After a few minutes, I heard Lisa shout, 'I've found an Earwicker!' 

By chance, it was the grave of Gertrude Earwicker, author of the letter to Clive Hart, who died in 1976, aged 86.












A few feet away, we found Gertrude's younger brother Arthur - perhaps the last of the Sidlesham Earwickers, though flowers are still placed on the grave.

 We discovered that they had had an older brother, William, who died aged just 16 in 1900.

  

There was yet another brother, Charles, 'called from this life' in 1961, aged 68.


 
The War Memorial in the Churchyard has a Glue and a Boniface among the names

 
 
We were now joined by Sarah, Ben and their daughter Anna, and I got them hunting for Earwickers, Glues, Gravys, Northeasts and Ankers. 


Lisa, Sarah, Ben and Anna
The only one of us who had any luck was Lisa, who has a newfound skill in deciphering gravestones. Next she found George Earwicker (1802-89), the brother of Gertrude's grandfather.


This was followed by her discovery of the 1881 grave of Isaac Glue!


Lisa then disappeared round the back of the Church, where she found the very first Earwicker grave, belonging to William, who died in 1793.


We didn't find any Gravys, Ankers or Northeasts, though we did come across a whole row of tombstones of several generations of men, all called 'Barzulai Porder'.

In Finnegans Wake, Joyce tells us that Earwicker is his hero's 'occupational agnomen', a surname which began as a nickname. He gives us a shaggy dog story about HCE receiving the name from a visiting king, who comes across him carrying a flowerpot on a pole, used for trapping earwigs. The longsighted king mistakes this for a lobster pot, and asks him what bait he's using:

On his majesty, who was, or often feigned to be, noticeably longsighted from green youth and had been meaning to inquire what, in effect, had caused yon causeway to be thus potholed, asking substitutionally to be put wise as to whether paternoster and silver doctors were not now more fancied bait for lobstertrapping honest blunt Haromphreyld answered in no uncertain tones very similarly with a fearless forehead: Naw, yer maggers, aw war jist a cotchin on thon bluggy earwuggers. 31.03-11


I wonder if HCE's reply is in a Sussex accent?  

Peter Timmerman discovered that the lobstertrapping and paternosters both come from the Guide to Bognor:

At the entrance to the Pier, and at other spots on the Parade, are numbers of the Wicker Traps, or ‘Pots,’ in which lobsters, crabs and prawns are taken. These traps are made by the fishermen. The withes are cut just before, or just after, Christmas, and are bought from neighbouring farmers … In shape, they much resemble the old-fashioned bee-hives. At the top is an entrance for the victim.

Fishing with ‘Paternoster’ is recommended from the Pier, as various depths of the bait will suit the habits of different fish.

The king then makes an incomprehensible joke to his attendants:

Holybones of Saint Hubert how our red brother of Pouringrainia would audibly fume did he know that we have for surtrusty bailiwick a turnpiker who is by turns a pikebailer no seldomer than an earwigger 

So that's how he came to be called Earwicker!

Sending the piece to his patron, Joyce called it an 'extract of earwigs':

'I hope my extract of earwigs may give you some mildly comic relief.'

Joyce to Harriet Shaw Weaver, 10 September 1923 (British Library Weaver papers)

According to Ellman's biography, Joyce talked about earwigs with Mrs Myron Nutting:

He and Mrs Nutting talked then about the earwig, which he associated with his hero, Earwicker; she recalled that a Yorkshire name for earwig is 'twitchbell'. 'Will you give me that?' said Joyce, much pleased. He remarked that an old legend recounted that Cain got the idea of burial from watching an earwig beside his dead brother Abel.

At this point, there's a footnote on earwigs: 

Joyce investigated the earwig carefuly, even to the point of writing the entomological laboratory of the Museum National d'Histoire Naturelle for papers on forficula. He liked the French word  for earwig, perce-oreille, and quickly assiciated it with Percy O'Reilly, a famous player from West Meath in the All Ireland Polo Club in 1905. Then he wrote 'The Ballad of Persse O'Reilly' (FW 44-6) 

And here's a memory of Joyce at the end of his life from Alexis Leon, son of Joyce's assistant and friend Paul Leon:

'The last memory I have comes from St Gérand-le-Puy during the exodus from Paris. I remember my father and Mr Joyce sitting or taking walks, very often without talking, just like that.
   Once, while I was dashing around on a bicycle, I found them sitting on a tree trunk looking at something. Joyce pointed to an earwig that was coming out of a log and he said 'Ah, here's HCE, here comes HCE' – H.C. Earwicker, one of the characters of Finnegans Wake. They were both watching it and they truly thought it was a sign.
  That is my last memory of Joyce. He then went back to Zurich and my father and I left for Paris. The war did its work and both men died. But I have never forgotten those three or four years, when I came close to someone who left his mark on this century.'


'Arm in Arm With A Literary Legend', The Observer, 13 January 1991

I've gone into this earwig business at length to explain my astonishment at another Wakean synchronicity. After looking around the churchyard, we went inside the Church, and found a beautifully drawn map of the parish. 

Look at the names of two of the local fields!











For Joyce, there was much more to this name than earwig business. He owned a copy of Ernest Weekley's The Romance of Names, 1922, which has a chapter on the development of Anglo-Saxon names. It includes an entry for 'Eoforwacer, now Earwaker'.

J.S.Atherton pointed out that Eoforwacer is 'Ever-Waker, the man who never goes to sleep...The name may also mean, of course, the man who is always present at the Wake, or the man who is always, in the Irish sense of waking, celebrating a funeral.' 

A Wake Newslitter, August 1965

Leaving the church, we noticed a strange carving of a man's head above the door. His eyes are closed as if he's asleep.  I imagined him as the dreamer of Finnegans Wake, or maybe Humphrey Chimpden Earwicker himself!




Tuesday, 24 September 2013

James Joyce in Bognor Regis


Finnegans Wake ends with the postscript 'Paris 1922-39'. It would be more accurate, but less romantic, if it said 'Bognor Regis-Paris'. Joyce wrote some of the first sketches for the book in Bognor Regis, where he was on holiday, from 29 June to 3 August 1923. 

The Joyces stayed in the Alexandra Guest House on Clarence Road, which I photographed in 2002. Three cheers for Arun District Council for putting up the plaque!

On 5 July, Joyce wrote a letter from Alexandra House to his patroness, Harriet Shaw Weaver:

'Anyhow, here I am and I like it very much and that is all for the present. The weather is very fine and the country here restful. I shall remain in this place (though it is rather queer the way they serve the meals for when you once let the fork out of your hand you have to wrestle with the girl for your plate and they put out all the electric lights at 11 in the bedrooms)...' Letters Vol I p.203

Richard Ellmann's biography has some lovely details of the Joyces' stay in Bognor, based on a 1953 interview with Nora's youngest sister, Kathleen, who came from Galway to stay with them. When Kathleen bought some shoes, which split the next day, Nora took them back saying, 'My husband is a writer and if you don't change them I'll have it published in the paper.' Ellmann writes that this was 'the only recorded occasion on which Nora spoke of her husband's occupation with any approval.' 

'Her more habitual reaction was brought on by Joyce's purchase, at her insistence, of a pair of white trousers.  They proved to be translucent and she had to tell him, 'For goodness sake, take those off.' Later she confided to her sister, 'He's a weakling, Kathleen. I always have to be after his tail. I wish I was married to a man like my father.  Being married to a writer is a very hard life.''

I wonder if there's a memory of these transparent white trousers in Finnegans Wake:

'not forgetting the time you laughed at Elder Charterhouse’s duckwhite pants and the way you said the whole township can see his hairy legs' 137.20

Ellmann claims that Joyce was inspired by the squawking of seagulls on Bognor beach to write his famous seagull song, which gave us the word 'quark': 'Three Quarks for Muster Mark!' in his Tristan and Isolde sketch. The Digital Archive dates this to July 1923.

Patricia Hutchins visited Alexandra House in the 1950s, when it was still a guest house. Here's her description, from James Joyce's World, 1957


The book also has a photo of Joyce sitting on a Bognor bench, with a man thought to be Nora’s uncle, Michael Healy (see comments below).  A Galway relative of Nora gave the photo to Hutchins, who suggests, 'It was taken perhaps by Lucia experimenting with a box camera, or one of those ambulant photographers of the seaside.'


These could be Joyce's white transparent trousers, which might explain why he's crossed his legs. He wears an eyepatch because he was still recovering from two operations on his left eye - an April iridectomy and a May sphincterectomy.

Joyce wrote two other sketches in Bognor, St Kevin and St Patrick and the Druid. Like the other early sketches, these are comical treatment of Irish legends. St Patrick represented a new departure, for it was partly written in pidgin English. Did Joyce find a pidgin dictionary in his Bognor guesthouse?*  

The holiday also gave Joyce the name of his book's central figure, Humphrey Chimpden Earwicker. Peter Timmerman (writing in A Wake Newslitter June 1979) tracked this down to the 1923 Bognor Guidebook's description of neighbouring Sidlesham Church: 'An examination of the surrounding tombstones should not be omitted if any interest is felt in deciphering curious names, striking examples being Earwicker, Glue, Gravy, Boniface, Anker, and Northeast.'
The Alexandra is now a private home

Joyce uses these names on page 30 of the Wake, where he looks into the origins of HCE's unusual surname:

'Now...concerning the genesis of Harold or Humphrey Chimpden’s occupational agnomen ... and discarding once for all those theories from older sources which would link him back with such pivotal ancestors as the Glues, the Gravys, the Northeasts, the Ankers and the Earwickers of Sidlesham...'


I visited Sidlesham in 2014, and photographed the Earwicker graves.

The 'plot' of Finnegans Wake is set off a few pages later when HCE encounters a cad with a pipe in the Phoenix Park. Bognor is the setting for a scene in the next chapter when, years later, the cad reappears, still smoking his pipe, and gives his own version of the encounter 'in a quiet English garden' (52.09). The cad is a Dubliner who has moved to Sussex, settling in 'the southeast bluffs of the stranger stepshore'. 51.29


In a list of the topics covered in Book One which Joyce drew up later, he listed this scene as 'Sunday evg Bognor (cad)'.





*This question was answered in 2021 by Ian MacArthur and Viviana-Mirela Braslasu, who discovered that Joyce took all his pidgin from Otto Jesperson's book Language: its nature development and origin, which has a whole chapter on Pidgin. So Joyce was doing some unusual reading in Bognor!