bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk!
That's the sound of a thunderclap on the first page of Finnegans Wake.
It's great to say aloud. Listen to the splendid Jim Norton's version, from the Naxos audiobook.
I have it on a t-shirt (missing a letter).
And Derek Pyle, of Waywords and Meansigns, has it tattooed on his forearm.
I've also painted it on a saw (for a painted saw exhibition in 2021).
Joyce would have been drawn to Vico because of his own astraphobia (fear of thunder), perhaps received from his devout governess, Mrs 'Dante' Conway:
She talked a good deal about the end of the world, as if she expected it at any moment, and when there was a flash of lightning she taught James to cross himself and say, 'Jesus of Nazareth, King of the Jews, from a sudden and unprovided for death deliver us, O Lord.' The thunderstorm as a vehicle of divine power and wrath moved Joyce's imagination so profoundly that to the end of his life, he trembled at the sound. When a friend asked him why he was so affected, he replied, 'You were not brought up in Catholic Ireland.'
Ellmann, James Joyce
The
only real weakness my brother showed as a boy was a terror of
thunderstorms – a terror excessive even for his years. It was not merely
a boy's fear of thunder, it was the realization and terror of death,
that dominant passion of the Middle Ages....Until he was twelve or
thirteen, my brother was always beside himself with fear during
thunderstorms. He would run upstairs to our room, while my mother tried
to calm him. She would close the shutters hastily, pull down the blinds
and draw the curtains together. But that was not enough. He would take
refuge in the cupboard until the storm was over. It was the direct
result of the religion of terrorism that Dante had instilled in him.
Stanislaus Joyce, My Brother's Keeper
'Mamma remembered that while Jim was quite young he was so frightened by Tenebrae on Good Friday that he ran away.'
Bozena Berta Delimata, 'Reminiscences of a Joyce Niece,' James Joyce Quarterly, Fall 1981, p54
'— Do you like the services of Holy Week? said Stephen.
— Yes, said Cranly.
— They are wonderful, said Stephen. Tenebrae — it’s so damned childish to frighten us by knocking prayerbooks on a bench.'
A sort of hysterical man with a morbid hypersensitivity, he was insanely frightened by electrical storms. On occasion during such storms he would lose control of himself, becoming completely irresponsible and cowardly, like a child or a foolish woman. Overcome by terror, he would clap his hands over his ears, run and hide in a small darkened room or hurl himself into bed in order not to see or hear.
Alessandro Francini Bruni, 'Recollections of Joyce'.
In the late 30s, he was sitting for a bust for the sculptor August Suter. Before one sitting, Joyce anxiously rang Suter to ask what the weather was like in his part of Paris:
The weather, I told him, was sunny and bright and he said he would come out at once as there were clouds in his area. He had an immense fear of thunder and lightning. I calmed him by pointing out that I had a thick blanket and that he might always hide behind the folding screen in my study and cover his head with the blanket so that he would see and hear nothing.
August Suter 'Some Reminiscences of James Joyce'.
In the 1930s, Carola Giedion-Welcker got to know Joyce in Zurich, a city he often visited to see his eye specialist.
In contrast with his broad sophistication, he also had in his nature a streak of the primitive sense of cosmic threat. In a sense the first human being and the last were joined in him. During the thunderstorms that early summer lavishes in Zurich, panic would seize him and he would hide away dispiritedly in his hotel on Bahnhofstrasse, 'like the Pope in the Vatican'. Even the modest Zurichberg seemed to him a powerful Mont Noir when the sky discharged electricty around it, behaving, he said, 'like a drunken sailor indiscriminately throwing dynamite around.'
Carola Giedion-Welcker, 'Meetings with Joyce'.
In Copenhagen, in 1936, he had this conversation with the journalist Ole Vinding:
'Do you often have thunderstorms here in Copenhagen and Denmark?'
'The summer has been cool this year and thunderstorms have been rare.'
'Thank god! I am horrified by thunderstorms. I panic just at the mere thought of them. You must not even tell me stories about thunderstorms.'
Ole Vinding, 'James Joyce in Copehagen'.
Imagine what it cost a man who panicked at the thought of thunderstorms to write 'bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk!'
klikkaklakkaklaskaklopatzklatschabattacreppycrottygraddaghsemmihsammihnouithappluddyappladdypkonpkot!
44.20-21
The fall of Humpty Dumpty and Finnegan again; all the characters coming around:
Bothallchoractorschumminaroundgansumuminarumdrumstrumtruminahumptadumpwaultopoofoolooderamaunsturnup
314.08.
 |
| Engraving of Turner's Stonehenge |
It's great to say aloud. Listen to the splendid Jim Norton's version, from the Naxos audiobook.
As onomatopœia, that's as good as Leopold Bloom's cat going 'Mrkrgnao!' in Ulysses. But, because it's a Wake word, it's packed with meaning. It's made up of words for thunder in multiple languages. You can read them here in fweet.
It's one of ten 100 letter thunderwords in the book. The final one (which is actually 101 letters long) is described as 'The hundredlettered name again, last word of perfect language'. 424.23 Joyce probably chose 100 because it suggests completion, while 101 in the last one suggests renewal. It's also just the right number of letters to create a mighty thunderclap (ten would be too few).
It's one of ten 100 letter thunderwords in the book. The final one (which is actually 101 letters long) is described as 'The hundredlettered name again, last word of perfect language'. 424.23 Joyce probably chose 100 because it suggests completion, while 101 in the last one suggests renewal. It's also just the right number of letters to create a mighty thunderclap (ten would be too few).
Originally there were 96 letters in the word.
 |
| The word's first appearance in the 2nd draft |
 |
| Joyce's fair copy |
 |
| The word as published in transition 1, April 1927 |
Joyce later added the stammering 'babab' opening to make 100.
I have it on a t-shirt (missing a letter).
And Derek Pyle, of Waywords and Meansigns, has it tattooed on his forearm.
 |
| Finnegans Wake Thundersaw |
THE GREAT FALL OF THE OFFWALL
The book's opening sentence, at the top of this blog, tells us that we're part of a historical cycle (a commodius vicus of recirculation). The second paragraph is a prequel, listing all the things which have 'not yet' happened. Then we get this mighty thunderbolt, the sound of the 'great fall of the offwall' (03.18), which kicks the book, and the historical cycle, into motion:
The fall (bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntro-varrhounawnskawntoohoohoordenenthurnuk!) of a once wallstrait oldparr is retaled early in bed and later on life down through all christian minstrelsy.
It's the fall of Adam, our old parent (oldparr), the giant Finn MacCool, Tim Finnegan from his ladder, Humpty Dumpty from his wall, and all other falls through history, including the Wall Street Crash ('wallstrait') - which came two years after this was published! There had been earlier crashes, but I bet Joyce believed he'd predicted the 1929 one here.
'I wonder where Vico got his fear of thunderstorms. It is almost unknown to the male Italians I have met.' Joyce to Harriet Shaw Weaver, 21 May 1926
Thereupon a
few giants...who were dispersed
through the forests on the mountain heights ...were frightened and astonished by the great effect whose
cause they
did not know, and raised their eyes and became aware of the sky. And
because...the nature of the human mind
leads it to attribute its own nature to the effect, and because in that
state their
nature was that of men all robust bodily strength, who expressed their
very
violent passions by shouting and grumbling, they pictured the sky to
themselves
as a great animated body, which in that aspect they called Jove, the
first god...who by the whistling of his bolts and the
noise of
his thunder was attempting to tell them something.
The New Science, 387-9
Providence...ordained that men of gigantic stature, stronger than the rest, who were to wander on the mountain heights
as do the beasts of stronger natures, should, at the first thunderclaps after the universal flood, take refuge in the caves of the mountains, subject themselves to a higher power which they imagined as Jove, and, all amazement as they were all pride
and cruelty, humble themselves before a divinity.
The New Science, 1097
According to Vico, this thunder inspired humans to invent not just religion but also language itself - in imitation of the sound which they took to be the speech of God.
At the same time that the divine character of Jove took shape...articulate language began to develop by way of onomatopoeia, through which we still find children happily expressing themselves. By the Latins Jove was at first, from the roar of the thunder, called lous; by the Greeks, from the whistle of the lightning, Zeus.
The New Science, 447
That's why the thunderword is the 'last word in perfect language.' 424.23. Human words are imperfect imitations of the divine thunder.
The sipbspeeches of all mankind have foliated (earth seizing them!) from the root of some funner's stotter. 96.31
The speeches/subspecies of mankind have spread out from the root of some thunder's stutter. Joyce dramatises this birth of a stuttering language in the dialogue between two prehistoric characters, Jute and Mutt.
Jute.— But you are not jeffmute?
Mutt.— Noho. Only an utterer.
Jute.— Whoa? Whoat is the mutter with you?
Mutt.— I became a stun a stummer.
Jute.— What a hauhauhauhaudibble thing, to be cause! 16.14-19
So his thunderword begins with 'bababadalgharag...' -stuttering and Babel (the foliation of languages).
Later in the book, this event is re-enacted, when HCE loudly calls his children home from their games outside the pub. His voice is the sound of thunder, and the children utter a prayer to their father. Lord becomes 'Loud':
Uplouderamainagain !
For the Clearer of the Air from on high has spoken in tumbuldum tambaldam to his tembledim tombaldoom worrild and, moguphonoised by that phonemanon, the unhappitents of the earth have terrerumbled from fimament unto fundament and from tweedledeedumms down to twiddledeedees.
Loud, hear us!
Loud, graciously hear us! 258.17-23
The fall (bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntro-varrhounawnskawntoohoohoordenenthurnuk!) of a once wallstrait oldparr is retaled early in bed and later on life down through all christian minstrelsy.
It's the fall of Adam, our old parent (oldparr), the giant Finn MacCool, Tim Finnegan from his ladder, Humpty Dumpty from his wall, and all other falls through history, including the Wall Street Crash ('wallstrait') - which came two years after this was published! There had been earlier crashes, but I bet Joyce believed he'd predicted the 1929 one here.
GIAMBATTISTA VICO
'I wonder where Vico got his fear of thunderstorms. It is almost unknown to the male Italians I have met.' Joyce to Harriet Shaw Weaver, 21 May 1926
Joyce got the idea of thunder setting history in motion from the Italian philosopher, Giambattista Vico (1668-1744). In La Scienza Nuova, Vico argued that history was cyclical, and that the cycles began when, following the Great Flood, people first heard thunder, which they took to be a noise made by a god. This was the start of religion.
 |
| Vico |
The New Science, 387-9
 |
| Jove with his thunderbolts |
The New Science, 1097
According to Vico, this thunder inspired humans to invent not just religion but also language itself - in imitation of the sound which they took to be the speech of God.
At the same time that the divine character of Jove took shape...articulate language began to develop by way of onomatopoeia, through which we still find children happily expressing themselves. By the Latins Jove was at first, from the roar of the thunder, called lous; by the Greeks, from the whistle of the lightning, Zeus.
The New Science, 447
That's why the thunderword is the 'last word in perfect language.' 424.23. Human words are imperfect imitations of the divine thunder.
The sipbspeeches of all mankind have foliated (earth seizing them!) from the root of some funner's stotter. 96.31
The speeches/subspecies of mankind have spread out from the root of some thunder's stutter. Joyce dramatises this birth of a stuttering language in the dialogue between two prehistoric characters, Jute and Mutt.
Jute.— But you are not jeffmute?
Mutt.— Noho. Only an utterer.
Jute.— Whoa? Whoat is the mutter with you?
Mutt.— I became a stun a stummer.
Jute.— What a hauhauhauhaudibble thing, to be cause! 16.14-19
So his thunderword begins with 'bababadalgharag...' -stuttering and Babel (the foliation of languages).
Later in the book, this event is re-enacted, when HCE loudly calls his children home from their games outside the pub. His voice is the sound of thunder, and the children utter a prayer to their father. Lord becomes 'Loud':
Uplouderamainagain !
For the Clearer of the Air from on high has spoken in tumbuldum tambaldam to his tembledim tombaldoom worrild and, moguphonoised by that phonemanon, the unhappitents of the earth have terrerumbled from fimament unto fundament and from tweedledeedumms down to twiddledeedees.
Loud, hear us!
Loud, graciously hear us! 258.17-23
JOYCE'S ASTRAPHOBIA
When the Danish writer, Tom Kristensen asked Joyce if he believed in the Scienza Nuova, he replied, 'I don't believe in any science, but my imagination grows when I read Vico as it doesn't when I read Freud or Jung.' (Ellmann).
 |
| Aelbert Cuyp's Thunderstorm over Dordrech |
Joyce would have been drawn to Vico because of his own astraphobia (fear of thunder), perhaps received from his devout governess, Mrs 'Dante' Conway:
She talked a good deal about the end of the world, as if she expected it at any moment, and when there was a flash of lightning she taught James to cross himself and say, 'Jesus of Nazareth, King of the Jews, from a sudden and unprovided for death deliver us, O Lord.' The thunderstorm as a vehicle of divine power and wrath moved Joyce's imagination so profoundly that to the end of his life, he trembled at the sound. When a friend asked him why he was so affected, he replied, 'You were not brought up in Catholic Ireland.'
Ellmann, James Joyce
 |
| James Joyce aged six |
Stanislaus Joyce, My Brother's Keeper
I wonder if Joyce's fear of thunder was linked to the traumatic experience of the Easter Tenebrae service, when the candles of the church are put out and an almighty crashing noise is made, representing the convulsions of nature at the death of Christ.
Joyce's sister Eileen passed on a story about this to her own daughter:
'Mamma remembered that while Jim was quite young he was so frightened by Tenebrae on Good Friday that he ran away.'
Bozena Berta Delimata, 'Reminiscences of a Joyce Niece,' James Joyce Quarterly, Fall 1981, p54
Joyce also mentions this in Stephen Hero:
— Yes, said Cranly.
— They are wonderful, said Stephen. Tenebrae — it’s so damned childish to frighten us by knocking prayerbooks on a bench.'
There are several more stories of Joyce's astraphobia in Portraits of the Artist in Exile (ed Potts). First, a memory of him in Pola and Trieste before World War One:
A sort of hysterical man with a morbid hypersensitivity, he was insanely frightened by electrical storms. On occasion during such storms he would lose control of himself, becoming completely irresponsible and cowardly, like a child or a foolish woman. Overcome by terror, he would clap his hands over his ears, run and hide in a small darkened room or hurl himself into bed in order not to see or hear.
Alessandro Francini Bruni, 'Recollections of Joyce'.
In the late 30s, he was sitting for a bust for the sculptor August Suter. Before one sitting, Joyce anxiously rang Suter to ask what the weather was like in his part of Paris:
The weather, I told him, was sunny and bright and he said he would come out at once as there were clouds in his area. He had an immense fear of thunder and lightning. I calmed him by pointing out that I had a thick blanket and that he might always hide behind the folding screen in my study and cover his head with the blanket so that he would see and hear nothing.
August Suter 'Some Reminiscences of James Joyce'.
Carola Giedion-Welcker, 'Meetings with Joyce'.
In Copenhagen, in 1936, he had this conversation with the journalist Ole Vinding:
'Do you often have thunderstorms here in Copenhagen and Denmark?'
'The summer has been cool this year and thunderstorms have been rare.'
'Thank god! I am horrified by thunderstorms. I panic just at the mere thought of them. You must not even tell me stories about thunderstorms.'
Ole Vinding, 'James Joyce in Copehagen'.
Imagine what it cost a man who panicked at the thought of thunderstorms to write 'bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk!'
 |
| There are more several more stories like these in Ellmann's biography |
Visiting Pula in 2017, I sat, wearing my thunderword t-shirt, at the Caffè Uliks, beside a statue of Joyce.
Suddenly a great thunderstorm erupted - one of several we experienced in Trieste and Pula. It struck me that Joyce had chosen the wrong place for an astraphobe to live!
OTHER WAKE THUNDERWORDS
There are nine more Wake thunderwords. Read them aloud! Here's a series of lessons from Adam Harvey to help you.
The second one, a door slamming in the Prankquean story, has more names for thunder in other languages (Lettish, Breton, Persian, Lithuanian etc):Perkodhuskurunbarggruauyagokgorlayorgromgremmitghundhurthrumathunaradidillifaititillibumullunukkunun!
23.05
Originally it was a much shorter word. Here's how it appeared in transition no 1:
The third and fourth are inspired by other senses of the word clap. First we have clapping as applause, before the Ballad of Persse O'Reilly:
This one was seven separate words when first published in transition 2.
Clap is also slang for venereal disease, which inspired the fourth word. During the trial of Festy King, the council has just asked the witness about a 'bad clap' (playing on thunderclap and VD). His follow up question is made up of different words for 'whore', plus 'bloody awful', 'foul', 'lady', 'strip' and Mecklenburg Street, the brothel district of
Dublin.
Bladyughfoulmoecklenburgwhurawhorascortastrumpapornanennykocksapastippatappatupperstrippuckputtanach, eh? 90.31
Bladyughfoulmoecklenburgwhurawhorascortastrumpapornanennykocksapastippatappatupperstrippuckputtanach, eh? 90.31
Again this was originally a shorter word, just 76 letters long.
 |
| transition 4 1927 |
Next we have a description of the crazy letters dancing across the page, in the Letter chapter
Thingcrooklyexineverypasturesixdixlikencehimaroundhersthemaggerbykinkinkankanwithdownmindlookingated
113.09
We have to wait a long time for the next one, in the children's games chapter. Here it's 'Shut the door!' in various languages:
Lukkedoerendunandurraskewdylooshoofermoyportertooryzooysphalnabortansporthaokansakroidverjkapakkapuk
257.27
The fall of Humpty Dumpty and Finnegan again; all the characters coming around:
Bothallchoractorschumminaroundgansumuminarumdrumstrumtruminahumptadumpwaultopoofoolooderamaunsturnup
314.08.
HCE's Irish name, Persse O'Reilly, in all its Gaelic glory: Piaras an Ua Raghailleach na Tulaige Mongáin: Piers the descendant of Reilly (Raghallach) of Tullymongan (in Breffni), plus the songs Yankee Doodle, Whack fol the Diddle, Dublin and Daddy.
Pappappapparrassannuaragheallachnatullaghmonganmacmacmacwhackfalltherdebblenonthedubblandaddydoodled 332.05
A fit of coughing, in many languages:
A fit of coughing, in many languages:
Husstenhasstencaffincoffintussemtossemdamandamnacosaghcusaghhobixhatouxpeswchbechoscashlcarcarcaract 414.19
Norse gods, giants and mythical beings. This one is spoken by the pious Shaun, who's just explained that he hates his brother Shem 'for his root language' (rude language/ thunder as the root of language). After he says, 'Thor's for you!':
Ullhodturdenweirmudgaardgringnirurdrmolnirfenrirlukkilokkibaugimandodrrerinsurtkrinmgernrackinarockar 424.20
A black crack of noise in the street here, alack, bawled back. Loud on left Thor thundered: in anger awful the hammerhurler. Came now the storm that hist his heart. And Master Lynch bade him have a care to flout and witwanton as the god self was angered for his hellprate and paganry. And he that had erst challenged to be so doughty waxed wan as they might all mark and shrank together and his pitch that was before so haught uplift was now of a sudden quite plucked down and his heart shook within the cage of his breast as he tasted the rumour of that storm. Then did some mock and some jeer and Punch Costello fell hard again to his yale which Master Lenehan vowed he would do after and he was indeed but a word and a blow on any the least colour. But the braggart boaster cried that an old Nobodaddy was in his cups it was muchwhat indifferent and he would not lag behind his lead. But this was only to dye his desperation as cowed he crouched in Horne's hall. He drank indeed at one draught to pluck up a heart of any grace for it thundered long rumblingly over all the heavens so that Master Madden, being godly certain whiles, knocked him on his ribs upon that crack of doom and Master Bloom, at the braggart's side, spoke to him calming words to slumber his great fear, advertising how it was no other thing but a hubbub noise that he heard, the discharge of fluid from the thunderhead, look you, having taken place, and all of the order of a natural phenomenon.
Is there any proof that there really was a thunderstorm on 16 June 1904?
Norse gods, giants and mythical beings. This one is spoken by the pious Shaun, who's just explained that he hates his brother Shem 'for his root language' (rude language/ thunder as the root of language). After he says, 'Thor's for you!':
Ullhodturdenweirmudgaardgringnirurdrmolnirfenrirlukkilokkibaugimandodrrerinsurtkrinmgernrackinarockar 424.20
A THUNDERSTORM IN ULYSSES
There's also a climactic thunderstorm in Ulysses, in the maternity hospital episode. Stephen, who has been making blasphemous jokes, is terrified. Bloom tries to comfort him with a scientific explanation:A black crack of noise in the street here, alack, bawled back. Loud on left Thor thundered: in anger awful the hammerhurler. Came now the storm that hist his heart. And Master Lynch bade him have a care to flout and witwanton as the god self was angered for his hellprate and paganry. And he that had erst challenged to be so doughty waxed wan as they might all mark and shrank together and his pitch that was before so haught uplift was now of a sudden quite plucked down and his heart shook within the cage of his breast as he tasted the rumour of that storm. Then did some mock and some jeer and Punch Costello fell hard again to his yale which Master Lenehan vowed he would do after and he was indeed but a word and a blow on any the least colour. But the braggart boaster cried that an old Nobodaddy was in his cups it was muchwhat indifferent and he would not lag behind his lead. But this was only to dye his desperation as cowed he crouched in Horne's hall. He drank indeed at one draught to pluck up a heart of any grace for it thundered long rumblingly over all the heavens so that Master Madden, being godly certain whiles, knocked him on his ribs upon that crack of doom and Master Bloom, at the braggart's side, spoke to him calming words to slumber his great fear, advertising how it was no other thing but a hubbub noise that he heard, the discharge of fluid from the thunderhead, look you, having taken place, and all of the order of a natural phenomenon.
Is there any proof that there really was a thunderstorm on 16 June 1904?
POOR JAMES JOYCE
Thanks to Patrick Nathan, who put this on twitter. It comes from David Markson's Wittgenstein's Mistress.
